Updated Article on the Frederick Goodall painting The Subsiding of the Nile

By Keith Grenville [ See below for more photographs]

The famous painting The Subsiding of the Nile – Frederick Goodall 1822 – 1904 held in Cape Town The Subsiding of the Nile shows the Giza Plateau from the south-east, with the Great Pyramid of Khufu on the right, and the Pyramid of Khafra on the left behind the palm trees with the Sphinx just visible in the centre. The sheep in the foreground were painted from the flock the artist bought in Egypt and sent to England to be used as models for this picture. This was the largest picture painted by Frederick Goodall – it is approximately 3.01 metres long and 1.6 metres high. Painted in 1873 by Frederick Goodall, this picture was exhibited at the Royal Academy, London (No. 292) in 1873 and purchased by art dealer Ernest Gambart for 1200 Guineas – a high sum in those days. Later it was sold to Sir William Agnew and in 1903 it appears it belonged to a Mr. Orr of Glasgow. An unconfirmed report suggests the painting was bought in Cairo in 1912 by a Mr. E.D. Anderson (see below).

This painting used to hang on the first floor of the Cape Town City Hall. Due to the size and weight of the painting and frame, wall brackets supported the frame at the base causing the picture to hang forward at an angle. In turn this caused the canvas to stretch downward and drag away from the ornate gilded frame which is thought to be the original frame.

In response to my appeal and using the platform of The Egyptian Society of South Africa, the picture was removed from the unfavourable position in the Cape Town City Hall and loaned to the South African Cultural History Museum (now Iziko Slave Lodge) in 1997. Unfortunately, due to changes in the directorship of the museum and other reasons, the picture remained crated for 6 years in a store-room at the museum in Adderley Street. In 2003 the picture was returned to the Cape Town City Council and placed in a store room where it awaited a decision on its future.

The picture belongs to the people of the Cape Town. However, the date and manner of acquisition in Cape Town is a mystery and is entirely unknown. According to unsupported information from a former council employee who died some year ago, in 1968 T.J. & E.D. Anderson claimed it was on loan to the City but a court rejected the claim as there was no proof of ownership. Until now, it has not been possible to locate the court records. It has also been claimed that an untraceable newspaper report in 1968 stated the picture had been in the City Hall for at least 40 years.

When I approached the Royal Academy in London for information about the picture they were unaware that the original painting was in Cape Town having assumed the small version in the London Guildhall Art Gallery was the original. Their records have been amended. Frederick Goodall made his second and last visit to Egypt in 1870-71, accompanied by his brother Edward. Basing himself at Saqqara in the house of the distinguished archaeologist and founder of the Egyptian Museum Auguste Mariette-Bey, he spent several months sketching places and people to be used as the raw material for future paintings. In 1872 he began using some of his preparatory sketches and the result was The Subsiding of the Nile exhibited at the Royal Academy in 1873. There is a reduced version of The Subsiding of the Nile (76 x 152 cm) exhibited in the City of London’s Guildhall Art Gallery (No. 63). This smaller painting, a quarter of the size of the Cape Town picture, is signed with the monogram FG and dated 1873. When Frederick Goodall died in 1904 there were examples of his works in many provincial art galleries in addition to the Tate Gallery and the Victoria and Albert Museum in London. Another small copy of The Subsiding of the Nile has been identified in Bournemouth, UK. Frederick Goodall is buried at Highgate Cemetery in London along with family members.

With the valued co-operation of Alderman Owen Kinahan, the Cape Town City Council placed the picture in the capable hands of renowned art restorer Angela Zehnder in 2007 who was commissioned to clean and restore the damaged painting. Finally, in February 2011, the restoration of the painting and the frame was completed and with great anticipation the painting was at last hung for public viewing in the foyer of the Artscape Theatre, Cape Town. Newspaper pictures showed the painting in all its glory in the process of being hung. Fate yet again intervened in the story of this painting – within 24 hours inexplicably the painting fell off the wall and sustained serious damage. This very valuable painting was swiftly removed from the public gaze which had not yet awoken to the fact that the painting was anywhere to be seen anyway, and it was returned to the tender care of art restorer Angela Zehnder once more.

Following more restoration, the painting was exhibited at the Artscape Theatre foyer where it was securely hung on 13 February 2011 and, for the first time in many years, was once again on public view.  The delicate colours of the picture are as fresh as the day Frederick Goodall painted this canvas and his signature monogram is visible in the bottom left-hand corner, dated 1873.

On reading the name plate on the bottom of the ornate frame, viewers might be confused as to the nationality of Frederick Goodall as his name is incorrectly shown a Friederick.  This inaccuracy is receiving attention.

At the time of writing, the painting is on view at the Artscape Theatre for a limited but unknown period until a final home is decided upon by the Cape Town City Council.

Keith Grenville
16 February 2012

Section of the painting that was repaired

Historical research by Keith Grenville

Post a Comment

You must be logged in to post a comment.